THINK LIKE A KEY MUSIC

Edward Rogers' Astor Place is what happens when five years of life gets distilled into one deeply personal musical journey: from childhood memories on Birmingham's Eldon Road to the bohemian streets of Manhattan's East Village, Rogers has crafted his most intimate statement yet, four years after his last solo venture. Working with producer Don Fleming for the first time, these songs span emotional territories as varied as their instrumentation—the magical story behind a gifted drum becomes "Magical Drum," rockers like "Romeo" sit comfortably beside contemplative ballads like "The Olde Church," and every track benefits from Rogers' decision to record with live musicians capturing spontaneous chemistry in real time. This isn't just geographic autobiography set to music; it's proof that the most universal songs often spring from the most personal places, with Fleming's distinctive production adding layers of sonic intrigue to Rogers' already compelling songcraft.